Posts Tagged ‘art’

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What am I knitting?

February 21, 2018

Nora Fok combines jewelry design with textile art in her science- and math-inspired wearable artworks. Fok, who is based in southeast England, works in her home studio creating all of her pieces manually, using hand tools, fine nylon microfilament and basic processes like weaving, knitting, braiding, and knotting. The work below is comprised of 3,500 knit spheres, and finished pieces can take weeks to produce. The artist describes her inspiration on her website:

She is intrigued by the world around her; she also asks questions and tries to find answers to them. She is fascinated by different aspects of nature, structure, systems and order, and the mysteries and magic which she sets out to capture in her work.

Fok has artwork that is currently being shown in the Jewelry of Ideas exhibit at the Cooper Hewitt Smithsonian Design Museum in New York City, which is up through May 2018, and she shares exhibition dates and a small archive of jewelry on her website. If you like Nora’s work, also check out Mariko Kusumoto.

 

from Colossal

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What am I building?

January 31, 2018

This remarkable orrery was built by Ken Toonz.  I am amazed.

I am posting this today in honor of the blue moon, blood moon, lunar eclipse that I am sure we will not be able to see in Metropark Centralis, because snow.

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Where am I living?

January 29, 2018

“Raymond Isidore didn’t plan on becoming an artist—let alone a sculptor who would go on to cover nearly every surface of his small home with glittering mosaics. But after a fateful stroll in 1938, when a shiny piece of broken crockery caught his eye, Isidore devoted the majority of the remainder of his life on the outskirts of Chartres, France, to the creation of one of the world’s most unique homes—an ecstatic expression of the untrained artist’s bursting imagination.

Isidore was born into a humble family in Chartres in 1900, and as a young man landed a position as the caretaker of a local cemetery. By all accounts, he led a provincial life; he married a woman roughly 10 years his senior and bought a humble plot of land not far from the famed Chartres Cathedral. There, Isidore built what began as a simple cottage, but soon transformed into his masterwork, known as La Maison Picassiette, which still stands and is accessible to the public today.”

Read the full article by Alexxa Gotthardt here on artsy.

See more unusual housing here.

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What am I knitting?

January 25, 2018

“Over the last four years, photographer Joseph Ford (previously) has collaborated with friend and knitter Nina Dodd to create a project that blends models into their environments rather than having them stand out. Each subject wears a custom hand-knit sweater by Dodd that transforms their torso, partially camouflaging their body into a highly textured wall, striped running track, or for one pooch—the leaves of dense shrub.

The series, Knitted Camouflage, also features a collaboration with French street artist Monsieur Chat who painted one of his trademark cats on the wall of a derelict factory for the photographer.”

I love this stuff.

Story from Colossal

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What is Tattoo Tuesday about?

January 16, 2018

Happy Tuesday!

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Why are ceramic artists so good at dealing with failure?

January 10, 2018

photo: deightonceramics

“In mid-November, Jennie Jieun Lee was moving a life-size ceramic sculpture of a woman out of her studio. The piece, which had taken her a few months to create, was about to be photographed, ahead of its debut at a Miami art fair just weeks later. But Lee’s dolly hit a bump, and the ceramic figure toppled to the floor. It was shattered irreparably.

What exactly makes clay so volatile? Issues can arise at the earliest stages, from the moistness of the material to the way it’s kneaded and stored. If clay is too wet or too dry, it can collapse or crumble; if its parts are improperly attached, it can break; if it’s not “bone dry” when it’s fired, the piece may crack or explode in the kiln.

photo: deightonceramics

Glazing, too, is notoriously tricky; if the coating is too thick or too thin, the desired results are impossible. Plus, chemical reactions between clay and glaze can cause things like “shivering,” when a glaze cracks and flakes off a piece’s surface. And firing is a science all its own, which, when executed poorly, can also lead to cracks and explosions. Indeed, ceramists are not only challenged to achieve feats of dexterity and creativity, but also chemistry. Of course, even when a piece is complete, there’s ample danger of the fragile material breaking.”
Why do it at all?
“There is such thrill in opening a kiln door after a work has been fired,” Wedel explains. “There is so much hope and so much wonder. The material has the final say over who you are as an artist. It can be both humbling and humiliating, and not many artists are okay with that.”
I don’t typically take photos of my failures, but I do have my share of them.  I follow The Potters Motto:  Make another one; just make another one.
My recent firing – It was a good day
Full story by Cassie Lasser on Artsy
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What (wat) is pretty cool?

December 20, 2017

The Samphran district of Thailand holds one of the most unusual Buddhist temples found in the country. The bright pink temple, called Wat Samphran, stands 17-stories high and is wrapped in a scaly green dragon.  More here from Colossal.